Harry Morgan’s (John Garfiled) money troubles are established early in Michael Curtiz’s The Breaking Point (1950)
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Miklós Jancsó … and others: RIP
The One, True Doctor and the Passage of Time
Nelson Pereira dos Santos’ ethnographic satire: How Tasty Was My Little Frenchman (1971)
Rainer Werner Fassbinder’s Eight Hours Don’t Make a Day: Criterion Blu-ray review
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