An inventive use of the two primary colours available in early Technicolor in "Monterey" in John Murray Anderson's King of Jazz (1930)

An inventive use of the two primary colours available in early Technicolor in “Monterey” in John Murray Anderson’s King of Jazz (1930)

Comments

Leave a Reply

Your email address will not be published. Required fields are marked *

Blasts from the past

Genre On Disk, part two

The short career of Michael Reeves

The resurrection of Clive Barker’s Nightbreed (1990/2014)

Year-end ruminations: 2016