Lawrence Fassett (John Hurt) uses surveillance cameras to watch the drama he has set in motion in Sam Peckinpah’s The Osterman Weekend (1983)
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Post-Op, weeks two and three
Random viewing: a grab-bag
Juzo Itami’s Tampopo (1985): Criterion Blu-ray review
Organized crime, political corruption and bourgeois complicity: four Italian Mafia movies
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