Lee Garmes’ chiaroscuro lighting marks the film’s sets with analogues of Tony Cramonte (Paul Muni)’s facial scar in Howard Hawks’ Scarface 1932)
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Miscellaneous viewing – March 2018
Fall 2023 viewing: Arrow Video
Seijun Suzuki’s Branded to Kill (1967): Criterion Blu-ray review
The transition to sound: Arthur Robison’s The Informer (1929)
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