Fatma (Fatma Oussaifi) herself is drawn towards the flames in Youssef Chebbi’s Ashkal: The Tunisian Investigation (2022)
Comments
Your email address will not be published. Required fields are marked *
Comment *
Name *
Email *
Website
Δ
Winter 2024 viewing, part three: Other labels
Viewing notes July-August 2015, part two
Reading early film history
Criterion Blu-ray review: Krzysztof Kieslowski’s Blind Chance (1981)
Comments