Flicker Alley and the Film Noir Foundation have released another fascinating Argentine movie from the early 1950s on the heels of two revelatory releases last year. Román Viñoly Barreto’s El vampiro negro (1953) is even more intriguing than Viñoly Barreto’s The Beast Must Die (1952) and Fernando Ayala’s The Bitter Stems (1956), being a reworking of Fritz Lang’s M (1931) from a very different perspective – that of a mother whose daughter is at risk from the serial child murderer.
Several new (and a couple of slightly older ) releases restore a range of Italian horrors from the ’60s, ’70s and ’80s, including a pair of artless movies by Bruno Mattei, Hell of the Living Dead (1980) and Rats: Night of Terror (1984); one of Mario Bava’s finest (and most perverse) Gothics, The Whip and the Body (1963), as well as his final made-for-television work, La Venere d’Ille (1979), co-directed by his son Lamberto; and a 4K restoration of Lucio Fulci’s gore masterpiece City of the Living Dead (1980).
Although overshadowed by his hugely influential cycle of zombie movies, Martin (1976), George A. Romero’s treatment of vampirism, is his finest work, a complex and subtle meditation on myth, madness, violence and social collapse in mid-’70s America. Second Sight’s 4K restoration finally gives this masterpiece the release it deserves.
Small Axe (2020), Steve McQueen’s five-part film series for the BBC, corrects a glaring omission in British film and television’s treatment of the post-war history of social and political struggle and change; while the lives of the working class became increasingly visible in the ’60s and ’70s, issues of race remained largely unaddressed until this belated project created something like a parallel history to go alongside the classic work of filmmakers like Ken Loach and Alan Clarke. Criterion’s three-disk Blu-ray set also includes Uprising (2021), McQueen’s powerful three-part documentary (co-directed by James Rogan) about the New Cross fire and the subsequent Brixton Riots, which gives added context to the stories told in Small Axe.
A new two-disk set from Vinegar Syndrome provides an impressive introduction to an unfamiliar Mexican filmmaker. Mexican Gothic: The Films of Carlos Enrique Taboada includes two atmospheric horror movies and a powerful drama about a man driven to extremes by the poverty that has trapped him his whole life.
Emerging from the depths of winter, I glance back at a motley collection of movies watched over the past few months — this batch all from Vinegar Syndrome: sleaze, horror, sex and violence, war, comedy, action, fantasy and lo-fi science fiction, plus the first feature I’ve ever seen from Tunisia.
A pair of recent Indicator releases resurrect a couple of all-but forgotten features with major stars. Richard Widmark plays a Western lawman whose time has passed in Death of a Gunfighter (1969), the first movie credited to phantom director Alan Smithee, while George C. Scott is a former New York judge dealing with grief by taking on the identity of Sherlock Holmes; his therapist just happens to be named Dr. Watson (Joanne Woodward).
Collector’s Editions from 88 Films provide an opportunity to re-evaluate two familiar Italian horror movies. My opinion of Pupi Avati’s creepy Zeder (1983), always favourable, has been confirmed, while I now have a new appreciation of Mario Bava’s Hatchet for the Honeymoon (1970), which I’d always seen as a minor and not entirely successful addition to his filmography.
The passage of time has complicated Chilly Scenes of Winter (1979), Joan Micklin Silver’s well-observed comedy-drama about a broken romance; the behaviour of obsessed romantic Charles (John Heard) now seems much darker and more troubling than it may have when the film was first released.
![Alice Campos (Florinda Bolkan) searches for her own past in Luigi Bazzoni’s Le Orme (Footprints on the Moon [1975])](https://www.cageyfilms.com/wp-content/uploads/2023/03/footprints_01.jpg)
It’s taken me a while to work through some of the many Severin box sets that have been piling up over the past year – the folk horror set All the Haunts Be Ours, House of Psychotic Women and the latest set of Italian movies Violent Streets: The Umberto Lenzi/Tomas Milian Collection – along with some 4K special editions of movies by Dario Argento and Alex de la Iglesia.