Vinegar Syndrome’s October releases offer a satisfyingly eclectic selection of occasionally obscure genre titles — from mid-’80s gialli to Southern Gothic crime to mutant bugs and a Mayan death cult.
Vinegar Syndrome October releases, part one
Author: Kenneth George Godwin
Columbia Noir 4 from Indicator
Indicator add another volume to their series devoted to Columbia Studios films noirs, with an eclectic selection of six moves covering post-war espionage, the activities of organized crime and a cop easily turned to the darkside by an attractive woman. Excellent transfers are supplemented with commentaries, March of Time shorts, featurettes on key cast and crew members … and, of course, half-a-dozen Three Stooges shorts.
Noriaki Yuasa’s intimate Yokai horror
Arrow releases the uncanny horror-fantasy The Snake Girl and the Silver-Haired Witch (1968), showcasing this mix of Japanese folktale and western fairytale directed by Noriaki Yuasa between episodes in Daiei’s Gamera series in a Blu-ray edition featuring a moody transfer and illuminating extras.
September Arrow releases
New Blu-ray releases from Arrow revive an effective Satanic panic movie from the early ’70s and unearth a forgotten regional slasher from 1982. The former, Bernard McEveety’s The Brotherhood of Satan, is an atmospheric gem; the latter, David Nelson’s Death Screams, is kind of clumsy, though it does have a few effective moments.
Lynne Ramsay’s Ratcatcher (1999): Criterion Blu-ray review
Lynne Ramsay’s emotionally devastating first feature, Ratcatcher (1999), is given a superb new 4K transfer on Criterion’s Blu-ray, which includes all the extras from their 2002 DVD with the addition of new interviews with Ramsay and cinematographer Alwin Küchler.
Jack Arnold’s The Incredible Shrinking Man (1957):
Criterion Blu-ray review
Criterion showcase a key ’50s sci-fi movie with their extras-loaded Blu-ray of Jack Arnold’s The Incredible Shrinking Man. The 4K restoration makes this the definitive visual presentation of the film, while the numerous special features – commentary, interviews, documentary – cover the production and the critical importance of the movie in detail.
Hammer Vol. 6: Night Shadows from Indicator
Indicator’s sixth box set of Hammer movies, Night Shadows, is a bit of a mixed bag, with a silly but entertaining Old Dark House throwback in John Gilling’s The Shadow of the Cat (1961), an overwrought psycho thriller in Freddie Francis’ Nightmare (1964), a historical adventure in Peter Graham Scott’s Captain Clegg (1962), and a pseudo-Gothic horror in Terence Fisher’s The Phantom of the Opera (1962).
Thanksgiving viewing
Thanksgiving weekend brought an excess of eating and drinking (but no turkey!) and three great movies – plus one dud.
The films of Eloy de la Iglesia
Severin introduces the work of Eloy de la Iglesia, a little-known Basque filmmaker with three releases spanning the period from the end of the Franco regime to the transition to democracy in Spain. Two thrillers with a satirical edge made in the early ’70s give way to a trilogy of violent, neo-realist depictions of youth crime and drug addiction in the early ’80s. Dynamic and visceral, these films are deeply empathetic to members of the underclass – workers and dispossessed adolescents – and unflinching in their treatment of addiction and homosexuality in a repressive society.
Luchino Visconti’s The Damned (1969): Criterion Blu-ray review
Criterion’s new Blu-ray presents Luchino Visconti’s darkly perverse The Damned in a new 2K restoration whose dense colours emphasize the gloom hanging over a powerful German industrial family collapsing under the weight of its own decadence as the Nazis consolidate their political power in the early 1930s.
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