Some brief comments on several recent movie-related deaths, plus random observations about an eclectic group of recently watched Blu-rays in various different genres.
Criterion’s Blu-ray edition of Marcel Pagnol’s Marseilles Trilogy is a revelation, a vibrant, humanistic display of the dramatic possibilities of sound cinema.
Two recent Twilight Time Blu-ray releases – Roy Ward Baker’s Inferno (1953) and Don Siegel’s Edge of Eternity (1959) – place film noir narratives in bright desert landscapes, one in 3D, the other in panoramic widescreen.
Severin’s Blu-ray showcases the low budget art of independent filmmaker Frederick R. Friedel with excellent transfers of his two mid-’70s movies, Axe (aka Lisa, Lisa) and Kidnapped Coed (aka The Kidnap Lover).
Arrow Video’s commitment to genre releases is on full display in a selection of recently viewed Blu-rays, each featuring informative supplements: the Japanese juvenile delinquent series Stray Cat Rock, Don Coscarelli’s epic Phantasm series, a pair of Gothic gialli from Emilio P. Miraglia, and Spanish director J.P. Simon’s adaptation of Brit author Shaun Hutson’s gross-out novel Slugs.
Criterion’s World Cinema Project 2 box set opens windows on a number of unfamiliar national cinemas with an eclectic selection of six distinctive features.
Four Twilight Time releases showcase exceptional acting in a variety of styles: Spencer Tracy and Frederick March in Stanley Kramer’s Inherit the Wind (1960); Jeff Bridges, John Heard and Lisa Eichhorn in Ivan Passer’s Cutter’s Way (1981); Sean Penn and Christopher Walken in James Foley’s At Close Range (1986); and David Thewlis in Paul Greengrass’ Resurrected (1989).
A pair of made-in-Germany genre-bending thrillers are well-served by excellent Blu-ray editions: Sam Fuller’s Dead Pigeon on Beethoven Street (1972) from Olive Films and Wolf Gremm’s Kamikaze ’89 (1982) from Film Movement.
Two recent Japanese animated features – Yasuhiro Yoshiura’s Patema Inverted and Keiichi Hara’s Miss Hokusai – and Caltiki: The Immortal Monster, an early low-budget horror from Mario Bava, illustrate the range of styles and content available to fantastic film.