Britain’s Network are releasing a lot of previously hard to find movies on disk. Two new Blu-rays, Peter Yates’ Robbery and Val Guest’s 80,000 Suspects, resurrect a couple of interesting titles from the ’60s.
A new Blu-ray makes Philip Ridley’s elusive feature The Reflecting Skin available in a beautifully restored edition which includes several excellent supplements, including an illuminating commentary, a lengthy making-of documentary, and both if Ridley’s early short films.
Criterion’s Blu-ray release of Antonio Pietrangeli’s I Knew Her Well (1965) reinforces the impression that this filmmaker has been almost criminally neglected as a major figure in Italian film.
Polish director Andrzej Zulawski has died, age 75, just as a restored version of his ambitious science fiction epic On the Silver Globe is scheduled to premiere in New York.
Viewing the Indonesian genocide of 1965 from the victims’ point of view, Joshua Oppenheimer’s The Look of Silence is more devastating than his previous film, The Act of Killing, which dealt with the self-mythologizing of the murderers.
Criterion releases a superb Blu-ray edition of Jan Troell’s 2-part epic about poor Swedish farmers looking for a new life in the US in the mid-19th Century.
Twilight Time revive Gordon Douglas’ The Detective starring Frank Sinatra and Michael Winner’s Scorpio starring Burt Lancaster, a couple of largely forgotten movies from the late ’60s and early ’70s in editions which highlight their interest as time capsules of attitudes and filmmaking styles which have since all but disappeared; and revisit Mysterious Island, one of Ray Harryhausen’s better movies, with a new edition featuring some interesting supplements.
Despite facing a seemingly unending barrage of derision, M. Night Shyamalan continues to put out fine, underrated movies: The Visit is one of his best.
In 1993, back when I was working at the Winnipeg Film Group, I was offered a few days work as an extra on a TV movie being shot here: which is how I became the least convincing state trooper ever to appear on screen in Paul Shapiro’s serial killer comedy Heads, starring Jon Cryer, Ed Asner and Jennifer Tilly.
Giuseppe De Santis’ Bitter Rice (1949) expands the possibilities of neo-realism by incorporating elements of melodrama and film noir into the lives of women working in the rice fields of northern Italy.