Although overshadowed by his hugely influential cycle of zombie movies, Martin (1976), George A. Romero’s treatment of vampirism, is his finest work, a complex and subtle meditation on myth, madness, violence and social collapse in mid-’70s America. Second Sight’s 4K restoration finally gives this masterpiece the release it deserves.
Small Axe (2020), Steve McQueen’s five-part film series for the BBC, corrects a glaring omission in British film and television’s treatment of the post-war history of social and political struggle and change; while the lives of the working class became increasingly visible in the ’60s and ’70s, issues of race remained largely unaddressed until this belated project created something like a parallel history to go alongside the classic work of filmmakers like Ken Loach and Alan Clarke. Criterion’s three-disk Blu-ray set also includes Uprising (2021), McQueen’s powerful three-part documentary (co-directed by James Rogan) about the New Cross fire and the subsequent Brixton Riots, which gives added context to the stories told in Small Axe.
A new two-disk set from Vinegar Syndrome provides an impressive introduction to an unfamiliar Mexican filmmaker. Mexican Gothic: The Films of Carlos Enrique Taboada includes two atmospheric horror movies and a powerful drama about a man driven to extremes by the poverty that has trapped him his whole life.
Emerging from the depths of winter, I glance back at a motley collection of movies watched over the past few months — this batch all from Vinegar Syndrome: sleaze, horror, sex and violence, war, comedy, action, fantasy and lo-fi science fiction, plus the first feature I’ve ever seen from Tunisia.
A pair of recent Indicator releases resurrect a couple of all-but forgotten features with major stars. Richard Widmark plays a Western lawman whose time has passed in Death of a Gunfighter (1969), the first movie credited to phantom director Alan Smithee, while George C. Scott is a former New York judge dealing with grief by taking on the identity of Sherlock Holmes; his therapist just happens to be named Dr. Watson (Joanne Woodward).
Collector’s Editions from 88 Films provide an opportunity to re-evaluate two familiar Italian horror movies. My opinion of Pupi Avati’s creepy Zeder (1983), always favourable, has been confirmed, while I now have a new appreciation of Mario Bava’s Hatchet for the Honeymoon (1970), which I’d always seen as a minor and not entirely successful addition to his filmography.
The passage of time has complicated Chilly Scenes of Winter (1979), Joan Micklin Silver’s well-observed comedy-drama about a broken romance; the behaviour of obsessed romantic Charles (John Heard) now seems much darker and more troubling than it may have when the film was first released.
![Alice Campos (Florinda Bolkan) searches for her own past in Luigi Bazzoni’s Le Orme (Footprints on the Moon [1975])](https://www.cageyfilms.com/wp-content/uploads/2023/03/footprints_01.jpg)
It’s taken me a while to work through some of the many Severin box sets that have been piling up over the past year – the folk horror set All the Haunts Be Ours, House of Psychotic Women and the latest set of Italian movies Violent Streets: The Umberto Lenzi/Tomas Milian Collection – along with some 4K special editions of movies by Dario Argento and Alex de la Iglesia.
More recent releases from Arrow: Nightmare at Noon (1988), a horror-thriller from prolific Greek filmmaker Nico Mastorakis; The Righteous (2021), a bleak, Bergman-influenced study of guilt and grief with supernatural intimations from Newfoundland actor/filmmaker Mark O’Brien; and a superb hi-def restoration of Mike Hodges’ late career masterpiece Croupier (1997) in a two-disk set which includes an engaging documentary in which the 89-year-old filmmaker reminisces about his life and career.
In a career lasting six decades, Bert I. Gordon co-wrote, produced, directed, sometimes photographed and created the special effects for a couple of dozen cheap-and-cheerful horror and sci-fi movies. He died this week at age 100, having directed his final feature in 2015 at age 93, a pretty good record for someone who mostly worked on shoestring budgets.