
Arrow’s third collection of spaghetti westerns, Savage Guns, brings together another four movies which display the range and flexibility of the genre, from Lucio Fulci’s elegiac and mystical The Four of the Apocalypse (1975) to Mario Camus’ veiled political criticisms of the Franco regime in Wrath of the Wind (1970) and Paolo Bianchini’s intersection of personal motives and historical events in I Want Him Dead (1968). Edoardo Mulargia’s El Puro (1969), about a drunken gunfighter forced back into action, is the most conventional of the four features.