Paul Morrissey’s Gothic horrors

The Count (Udo Kier) reacts to non-virgin blood in Paul Morrissey's Blood for Dracula (1974)

It’s been a long time coming, but Paul Morrissey’s two unique Gothic horror movies from the early 1970s – Flesh for Frankenstein (1973) and Blood for Dracula (1974) – have finally arrived on disk in superb restorations, the former from Vinegar Syndrome, the latter from Severin. Both editions are packed with hours of extras, and Flesh for Frankenstein is finally available in 3D (both digital and anaglyphic) as well as flat. Together, the home video highlight of 2021.

Year End 2021

The Count (Udo Kier) is worried about his blood supply in Paul Morrissey's Blood for Dracula (1974)

It’s been a good year for movies on disk, with a remarkable range of releases from many companies which are devoting considerable resources to rediscovering, restoring and preserving movies in numerous genres. Ranging across nationalities and spanning cinema history, there was plenty to divert attention from a real world which has become so depressing and exhausting.

Gordon Parks’ The Learning Tree (1969): Criterion Blu-ray review

Newt (Kyle Johnson) navigates growing up in a racist society in Gordon Parks' The Learning Tree (1969)

Criterion’s new Blu-ray revives Gordon Parks’ semi-autobiographical film The Learning Tree (1969), significant as the first movie produced by a Hollywood studio directed by a Black filmmaker. In this coming-of-age story set in a small Kansas town in the 1920s, the typical problems faced by a boy leaving childhood are complicated by the deeply embedded racist attitudes which surround him.

The Hughes Brothers’ Menace II Society (1993):
Criterion Blu-ray review

The police appear without warning in the Hughes Brothers' Menace II Society (1993)

The Hughes Brothers’ Menace II Society (1993), an aggressively stylish debut made when the twins were just twenty, is a nihilistically violent depiction of life in Watts in which kids grow up surrounded by violence and learn that there are few other ways to deal conflict. Criterion’s new Blu-ray, mastered from a 4K restoration, is vividly colourful, with a collection of excellent new and archival supplements,

Ghosts, Monsters and Swordplay

Agi (Chiaki Kuriyama) with one Kato's Yokai-machine hybrids in Takashi Miike's The Great Yokai War (2005)

Asian martial arts and fantasy movies can be exhilarating in their strangeness and invention, unbound by Western insistence on rational explanations. Arrow’s new box set Yokai Monsters Collection presents a world in which supernatural presences exist alongside human reality, while in Eureka’s release of Ching Siu-tung’s Duel to the Death (1983) martial artists defy the laws of physics in elaborately choreographed sword fights.

Columbia Noir 4 from Indicator

Kim Novak debuts as bank robber's girlfriend Lona McLane in Richard Quine's Pushover (1954)

Indicator add another volume to their series devoted to Columbia Studios films noirs, with an eclectic selection of six moves covering post-war espionage, the activities of organized crime and a cop easily turned to the darkside by an attractive woman. Excellent transfers are supplemented with commentaries, March of Time shorts, featurettes on key cast and crew members … and, of course, half-a-dozen Three Stooges shorts.

Blasts from the past

Vinegar Syndrome summer binge, part two

Notes on melodrama and film history

Mexico Macabre: four horror classics from Indicator

A post-Covid 3D evening

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