As the winter turns cold, I take another plunge into the depths of horror, exploitation, sex and death with a range of releases which vary widely in style and nationality. I just can’t stay away from this stuff – maybe I need therapy?
Criterion’s new Blu-ray revives Gordon Parks’ semi-autobiographical film The Learning Tree (1969), significant as the first movie produced by a Hollywood studio directed by a Black filmmaker. In this coming-of-age story set in a small Kansas town in the 1920s, the typical problems faced by a boy leaving childhood are complicated by the deeply embedded racist attitudes which surround him.
The Hughes Brothers’ Menace II Society (1993), an aggressively stylish debut made when the twins were just twenty, is a nihilistically violent depiction of life in Watts in which kids grow up surrounded by violence and learn that there are few other ways to deal conflict. Criterion’s new Blu-ray, mastered from a 4K restoration, is vividly colourful, with a collection of excellent new and archival supplements,
Asian martial arts and fantasy movies can be exhilarating in their strangeness and invention, unbound by Western insistence on rational explanations. Arrow’s new box set Yokai Monsters Collection presents a world in which supernatural presences exist alongside human reality, while in Eureka’s release of Ching Siu-tung’s Duel to the Death (1983) martial artists defy the laws of physics in elaborately choreographed sword fights.
Indicator add another volume to their series devoted to Columbia Studios films noirs, with an eclectic selection of six moves covering post-war espionage, the activities of organized crime and a cop easily turned to the darkside by an attractive woman. Excellent transfers are supplemented with commentaries, March of Time shorts, featurettes on key cast and crew members … and, of course, half-a-dozen Three Stooges shorts.
New Blu-ray releases from Arrow revive an effective Satanic panic movie from the early ’70s and unearth a forgotten regional slasher from 1982. The former, Bernard McEveety’s The Brotherhood of Satan, is an atmospheric gem; the latter, David Nelson’s Death Screams, is kind of clumsy, though it does have a few effective moments.