David Lynch/Eraserhead interview

Kenneth George Godwin with David Lynch at Universal Studios, 1981

I was interviewed this week by Nathan Wardinski for his show Sounds of Cinema, broadcast on a couple of public educational radio stations in southern Minnesota. The topic was David Lynch and the making of Eraserhead and I was initially a bit intimidated – both by the idea of being interviewed (I’ve interviewed quite a […]

Summer viewing: the serious stuff

O (Buster Keaton) scurries through ruined streets trying to evade E (the camera Eye) in Samuel Beckett's Film (1965)

Two recent releases uncover fascinating fragments of cinema history: G.W Pabst’s dramatically powerful and technically innovative early sound films Westfront 1918 (1930) and Kameradschaft (1931) from Masters of Cinema and Samuel Beckett’s sole foray into movies Film (1965) paired with Ross Lipman’s “kino-essay” about the production Notfilm (2015) together in a dual-format release from the BFI.

Summer viewing: science fiction

Communing with the sliens in Denis Villeneuve's Arrival (2016)

Technical accuracy is not necessarily what makes science fiction satisfying; more important is storytelling, as illustrated by two older, and one recent, movies released on Blu-ray: Byron Haskin’s Robinson Crusoe on Mars (1964), Joseph Sargent’s Colossus: The Forbin Project (1970) and Denis Villeneuve’s Arrival (2016)..

Blasts from the past

Joan Micklin Silver’s Chilly Scenes of Winter (1979): Criterion Blu-ray review

Claudio Simonetti’s Goblin live

Guest post: William K. Everson & British Film

Jean Rouch, Edgar Morin, cinema verite and the problem of “actuality”

>