Twilight Time offer a thriller maligned on its initial release, a harsh western directed by an Englishman in Spain, and a sprawling Hollywood epic which was one of the last of the big ’60s roadshow productions.
Recent Twilight Time releases
Category: Commentary
Brief viewing notes, July 2016
Recent viewing ranges from classic noir to mediocre ’80s thriller, from low budget horror to a documentary about one of the great craftsmen of fantasy film.
Recent viewing, May-June 2016, part two
Nazis and vampires have been popular subjects for exploitation for decades in a range of genres from the Gothic to epic SF and paranoid b-movie thriller.
Criterion Blu-ray review: Wim Wenders’ The Road Trilogy (1974-76)
In The Road Trilogy, one of their finest releases in some time, Criterion showcase three key early works by Wim Wenders, one of the finest filmmakers of the New German Cinema.
Recent viewing, May-June 2016, part one
Recent viewing ranges from smart B-movie horror to magic realist-inflected neo-realism, with excellent disks from Blue Underground, Shout! Factory and Arrow Video.
The pleasures of transgression
Two recent disks present transgressive sexuality from very different perspectives: Christian Marquand’s Candy is a glossy big budget production packed with star power, while Curt McDowell’s Thundercrack! is a scrappy underground epic.
The revival of Flipside
After a two year hiatus, the BFI has revived the Flipside series with three notable releases: Val Guest’s musical satire Expresso Bongo, Edmond T. Greville’s juvenile delinquent exploitation movie Beat Girl, and Jose Ramon Larraz’s “lost” horror film Symptoms.
The art of silent film: Anthony Asquith’s Shooting Stars (1928)
It’s remarkable that it’s still possible to discover a previously unknown yet major film from the silent era, but the BFI’s new release of Anthony Asquith’s first feature, Shooting Stars (1928) is a revelation; a fresh, self-aware film about filmmaking and the intersection of real and imaginary lives.
Dan Ireland and The Whole Wide World
Dan Ireland, director of The Whole Wide World (1996), died on April 14, aged 57.
Recent discoveries on disk
Three fascinating rediscovered movies suggest once again that the demise of DVD and Blu-ray isn’t happening anytime soon, even if the major distributors are shying away from the format; passionate smaller boutique companies are keeping it alive for those of us who who still care.
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