Criterion’s excellent edition of King of the Hill (1993) and The Underneath (1995) throws some interesting light of the development of Steven Soderbergh as a filmmaker.
The Apprenticeship of Steven Soderbergh: King of the Hill (1993)
Category: Commentary
Notes on Recent Viewing, part three
Continuing a brief survey of the past month’s disk viewing; sci-fi, horror and Archer, an animation discovery which is one of the best current series.
Notes on Recent Viewing, part two
Continuing a review of the past month’s disk viewing; contemporary and classic thrillers, Czech animation, British cult TV, and a French dream of New York.
Notes on Recent Viewing, part one
A survey of recent viewing covers approaches to realism, metaphor, horror and war in a range of films from the 1920s to the 2010s.
Ghosts of Television Past, part two
While some of the films and plays in the series of disks I wrote about last week, devoted to ghost and horror stories made for British television, reveal the budgetary and technical limitations of their time and medium (low budget sets, somewhat coarse and murky video recording), the BFI has lavished its attention on one […]
Ghosts of Television Past, part one
The English love ghost stories. There are the classics, of course – Hamlet and Macbeth, for instance – but after the advent of Gothic literature in the late 1700s, spirits, whether harmful or helpful, became less distant, increasingly incorporated into contemporary life. From penny dreadfuls to Dickens, ghosts impinged on the lives of characters not […]
Year End 2013
Looking back over 2013, the most significant titles in my disk viewing have been imported from England or released by Criterion.
Genre On Disk, part two
The concept of genre is endlessly malleable, permitting filmmakers to borrow, invent, mix and match narrative elements to create a seemingly inexhaustible array of stories which combine familiar elements in new, or not so new, ways.
Genre On Disk, part one
My genre viewing on disk over the past couple of months ranges from classics to crap, and I have to admit that I’ve enjoyed it all. The Curse of Frankenstein (1957) From England, I’ve obtained impressive Blu-rays of three key movies from the period when “modern” horror was born: Hammer’s first two colour Gothic features, […]
Genre Viewing 2
Genre, of course, is not limited to the fantastic — science fiction, fantasy, horror. Contemporary and historical dramas can also fall within genre boundaries. Prisoners (Denis Villeneuve) Denis Villeneuve’s thriller was much-praised by critics and audiences alike, and yet it struck me as a genre movie desperate to convince its viewers that it was actually […]
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