Criterion’s latest Eclipse set showcases a neglected master of pre-New Wave French film, Julien Duvivier; the four films here are stylistically adventurous and have great emotional depth.
Ettore Scola’s A Special Day (1977) is a subtle, emotionally resonant chamber film featuring Sofia Loren and Marcello Mastroianni in two of their finest roles as people struggling against socially-imposed roles in fascist Italy.
Since the end of the studio system, the term B-movie has come to refer more to content than budget; recent viewing covers a wide range of styles within this nebulous category.
The Criterion Collection has released an impressive hi-def upgrade of Leonard Kastle’s gritty, blackly comic true-crime feature The Honeymoon Killers (1979).
In two recent Blu-ray releases Twilight Time showcase different romantic fantasies; in The World of Henry Orient the world is seen through the eyes of a pair of adolescent girls infatuated with a concert pianist, while in Guess Who’s Coming to Dinner, Stanley Kramer attempts to make an interracial relationship acceptable by using the familiar forms of a sit-com defuse the social implications which at the time would be seen as threatening by many in the audience.
In 1985, I had a bizarre experience in Las Vegas when Jack Nance and I met with a representative of rich Oklahoma ranchers who were looking to invest some oil profits in a movie.
Arrow Video has become my favourite source for high quality releases of both serious films and exploitation titles. Their special editions rank with the best offered by prestige companies like Criterion and Masters of Cinema.
A decade after the end of World War Two, with Germany now an important ally against the Soviet bloc, popular culture was making an effort to rehabilitate the former enemy by showing “good Germans” in the movies. Twilight Time have recently released a couple of examples on Blu-ray: Edward Dmytryk’s The Young Lions (1958) and Anatole Litvak’s The Night of the Generals (1967).
Criterion’s Blu-ray of The Killers, with two excellent new hi-def transfers of the 1946 Robert Siodmak and 1964 Don Siegel versions of Ernest Hemingway’s short story, as well as Andrei Tarkovsky’s 1956 student film, is a fascinating study in the process and possibilities of adapting literature to film.