The pleasures of black-and-white cinematography are on full display in Ken Hughes’ The Small World of Sammy Lee; shot on the streets of Soho and the East End by the great Wolfgang Suschitzky, this story of a small-time entertainer and compulsive gambler desperately trying to raise cash to pay off a gangster is a finely observed depiction of the seedier side of pre-Swinging London, shot through with bleak humour and the tentative possibility of redemption.
Criterion resurrects an important American independent film with a stunning Blu-ray of Jack Garfein’s Something Wild (1961), a showcase for members of the Actors Studio and the Method.
At my annual New Year’s ritual of dinner and movies at my friend Steve’s, I finally got to sample the home 3D viewing experience; we sampled a number of movies, old and new, cheap and expensive, but while the experience had some interesting aspects, I can’t imagine wanting to watch in 3D too often.
Laurie Anderson’s Heart of a Dog (2015) is a charming, discursive, ultimately deeply moving exploration of death, loss, grief and life. Criterion’s Blu-ray edition provides an illuminating conversation with the filmmaker about her art, her career, and her experience of life.
Criterion’s Blu-ray release of One-Eyed Jacks is one of the disk highlights of the year, its restored image and sound confirming this great western’s stature. Marlon Brando’s sole directing effort is a key transitional moment between the traditional western and the national myth it represented and the modern deconstruction of that myth by filmmakers like Sam Peckinpah and Arthur Penn.
With a three disk first volume, Arrow Video embark on an ambitious undertaking with the American Horror Project, which intends to gather together independent, fringe features from the ’70s and ’80s, surrounded by supplementary features which provide context and possibly a cumulative history of this genre niche. Set one gathers three movies of varying quality.
Shout! Factory releases new Blu-ray editions of John Carpenter’s The Thing (1982) and William Peter Blatty’s The Exorcist III (1990), each disk sporting a new 2K transfer and a wealth of supplementary materials.
Robert Altman’s masterpiece, McCabe & Mrs. Miller (1971), finally gets a worthy disk release. Criterion gives us a wonderful transfer along with almost three hours of informative supplements.
Two new BFI releases, Peter Hall’s Akenfield (1974) and Andrew Grieve’s On the Black Hill (1988), view the 20th Century through the relationships of people in rural Britain to the land, evoking physical hardship and timeless mystical connections.
Two excellent recent Blu-ray releases from the BFI illuminate the extremes of high and low art in British film of the early 1970s. Ken Russell’s version of D.H. Lawrence’s Women in Love is exemplary literary adaptation, while Don Sharp’s Psychomania is … well, something else again!