Criterion release a subtle masterpiece of Spanish cinema in Luis Garcia Berlanga’s The Executioner (1963), a dark critique of life under the Franco regime disguised as a domestic comedy.
Criterion releases some high-end trash with an extras-packed edition of Valley of the Dolls, and a collection of journalistic reviews by Graham Greene offers interesting insights into movies in the ’30s.
Revisiting old favourites like the original Star Trek series and familiar genres from samurai sword fights to supernatural monsters is like eating comfort food, triggering familiar emotions; even Satanic horrors can be paradoxically soothing.
Criterion’s new Blu-ray of Kenji Mizoguchi’s The Story of the Last Chrysanthemum (1939) makes available one of the earliest masterpieces by this great Japanese director; although the film shows its age, the director’s remarkable technique of long takes and composition in depth is impressive.
I’ve recently been dipping into the ’60s and ’70s with two Criterion Blu-rays of major works by Orson Welles, a couple of Robert Altman’s signature titles, and a new J.G. Ballard adaptation from Ben Wheatley.
The Immortal Story (1968), Orson Welles’ last completed fiction feature, adapted from an Isak Dinesen story, gets a gorgeous Blu-ray release from Criterion with a collection of substantial supplements providing background and context for the director’s first colour feature, which is also the most erotic film he made.
Some movies are so odd it’s hard to see how they came to be made … like Laslo Benedek’s brooding thriller The Night Visitor (1971) with its pulpy plot and cast of major international stars.
Brief thoughts on some genre movies released on Blu-ray by Arrow Video, plus a couple of interesting books about the making of Cy Endfield’s Zulu and Sam Peckinpah’s Pat Garrett & Billy the Kid.
Criterion’s new Blu-ray of Herk Harvey’s Carnival of Souls (1962) restores the richness of the striking imagery which gives this low-budget classic its mysteriously haunting power.
Recent viewing ranges from classic noir to mediocre ’80s thriller, from low budget horror to a documentary about one of the great craftsmen of fantasy film.