Nazis and vampires have been popular subjects for exploitation for decades in a range of genres from the Gothic to epic SF and paranoid b-movie thriller.
In The Road Trilogy, one of their finest releases in some time, Criterion showcase three key early works by Wim Wenders, one of the finest filmmakers of the New German Cinema.
Recent viewing ranges from smart B-movie horror to magic realist-inflected neo-realism, with excellent disks from Blue Underground, Shout! Factory and Arrow Video.
Criterion’s release of a key but little-known feature by Jean Renoir, the conceptually and stylistically sophisticated La Chienne, is essential viewing.
A classic romantic comedy about death gets an impressive new release on Blu-ray from Criterion. Alexander Hall’s Here Comes Mr. Jordan (1941) features a witty script and an impressive cast headed by Robert Montgomery, Claude Rains and Evelyn Keyes in the story of a good-natured boxer snatched prematurely by one of Death’s messengers and returned to Earth in the body of a crooked businessman.
Two recent disks present transgressive sexuality from very different perspectives: Christian Marquand’s Candy is a glossy big budget production packed with star power, while Curt McDowell’s Thundercrack! is a scrappy underground epic.
After a two year hiatus, the BFI has revived the Flipside series with three notable releases: Val Guest’s musical satire Expresso Bongo, Edmond T. Greville’s juvenile delinquent exploitation movie Beat Girl, and Jose Ramon Larraz’s “lost” horror film Symptoms.
Criterion releases Nicholas Ray’s In a Lonely Place (1950) in a superb Blu-ray edition with plentiful special features to illuminate this bleak masterpiece about masculine insecurity and the roots of violence.
It’s remarkable that it’s still possible to discover a previously unknown yet major film from the silent era, but the BFI’s new release of Anthony Asquith’s first feature, Shooting Stars (1928) is a revelation; a fresh, self-aware film about filmmaking and the intersection of real and imaginary lives.
Criterion has released a stand-alone Blu-ray edition of Whit Stillman’s Barcelona (1994), the final part of his triptych about young Americans striving to define themselves as they navigate an uncertain world. A romantic comedy with troubling undertones, it deals with the mixture of naivety and arrogance which creates a problematic relationship between the U.S. and other parts of the world.