Of the two Scott brothers, I’ve always had a preference for Ridley. No doubt the writers of Cinema Scope would attribute this to my innate middle-brow pretensions, but I’ve never managed to grasp their argument for Tony’s superiority (editor Mark Peranson on Unstoppable: “it is the key Hollywood film of this typically weak quarter, thanks […]
I envy Marc Isaacs. Not just because he’s one of the best documentary filmmakers now working in Britain (or anywhere, for that matter), but because he’s found a sympathetic producer in Nick Fraser of the BBC who understands what Isaacs is doing and encourages and supports him in his work. After the past few years […]
Although Britain’s Hammer Films was first formed in the 1930s, initially in an attempt to expand a theatre chain into areas of production and distribution, only five films were made before the war – comedies and mysteries. Production resumed after the war with more comedies, mysteries and thrillers. It was 1953 before the company took […]
In his Biographical Dictionary of Film, David Thompson has a very brief entry on the English director Thorold Dickinson. He implies that Dickinson was a kind of failure, unable to make films and so turning to teaching. Thompson sees him as a sad character, his talent wasted on unworthy students no doubt unaware of who […]
It’s been a bigger than average week for DVDs, thanks to a couple of packages from Amazon UK, plus the usual Tuesday field trip to the local stores. (I first learned that Tuesday is “new release day” from my friend Sheldon when we were at the Canadian Film Centre together in 1998 and have quite […]
I recently opined about the trend in “found-footage” horror movies, a sub-genre which makes explicit reference to its own origins in the availability of inexpensive video equipment. But of course, not all filmmakers who pick up a small camcorder are interested in that kind of self-reflexive activity. Some just want to make a movie. This […]