A round-up of recent viewing, as usual heavy on horror and exploitation.
Growing up in England during the late 1950s and early ’60s, my experience of British film was a mix of now-forgotten B-movies, coarse comedies (I loved the Carry On films, which seem all but unwatchable now), and occasional big productions (Zulu remains a vivid childhood memory). Hammer horror was tantalizingly out of reach, restricted to […]
Sad news this weekend. The inimitable Googie Withers has died at the age of 94 after a long and varied career in film, theatre and television. Although she worked with directors like Alfred Hitchcock (a small part in The Lady Vanishes [1938]), Michael Powell (a member of the resistance in One of Our Aircraft Is […]
Alexander Mackendrick (1912-1993), who was born in the United States but grew up in Scotland from the age of five, made only nine features between 1949 and 1969, when he took up a teaching position at the California Institute of the Arts. But within that limited output, he managed to create several masterpieces, including his […]
I recently got to see the final film produced by Ealing Studios, The Siege of Pinchgut (1959), a tense hostage drama made far from the cozy English countryside and villages the studio is often associated with. Directed and co-written by Harry Watt, starring an American (Aldo Ray) and shot on location in Australia, it seems […]
In his Biographical Dictionary of Film, David Thompson has a very brief entry on the English director Thorold Dickinson. He implies that Dickinson was a kind of failure, unable to make films and so turning to teaching. Thompson sees him as a sad character, his talent wasted on unworthy students no doubt unaware of who […]