Another eclectic selection from my recent viewing, from an old fondly remembered BBC sci-fi series to an unsettling French psychological thriller, from a nasty John Frankenheimer thriller to a pair of atypical Rossellini features striving to break out of the confines of neorealism.
Kids and monsters, kids in a post-apocalyptic wasteland, and a couple of cousins from Israel who tried to take over Hollywood in the ’80s: all help to take one’s mind off the tedious last days of winter.
Twilight Time revive Gordon Douglas’ The Detective starring Frank Sinatra and Michael Winner’s Scorpio starring Burt Lancaster, a couple of largely forgotten movies from the late ’60s and early ’70s in editions which highlight their interest as time capsules of attitudes and filmmaking styles which have since all but disappeared; and revisit Mysterious Island, one of Ray Harryhausen’s better movies, with a new edition featuring some interesting supplements.
Recent binging on Twilight Time Blu-rays ranges from politics to comedy to science fiction, absurd studio productions and idiosyncratic independents; from the Cuban and Nicaraguan revolutions to the overthrowing of a future society of privileged immortals to underhanded contemporary business wars, from dinosaurs deep inside the Earth to the destruction of an alien race on the moon.
Artsploitation Films is a distributor with a taste for offbeat horror as represented in two recent Blu-ray releases, the German Der Samurai and the French (though shot in English) Horsehead, both visually stylized and more interested in metaphor and atmosphere than crude shocks.
Despite the dominance of computer animation these days, there are qualities in hand-made animation, whether drawn or stop-motion, which offer a richer, more aesthetically pleasing viewer experience, as evidenced by a random selection of new and classic releases.
Criterion’s Blu-ray edition of Fellini Satyricon should go a long way towards establishing this phantasmagoric adaptation of the ancient Roman novel as one of the director’s finest and most creatively significant films.
Despite perennial predictions of the demise of movies-on-disk, 2014 offered a rich and varied selection of new and old titles in often impressive editions from many different companies, though not necessarily from major distributors. The cream came from specialty labels like Criterion, the BFI, Arrow, Eureka/Masters of Cinema, Shout! Factory, Olive Films, Kino Lorber, Flicker Alley and Twilight Time.
Clive Barker’s second feature as a director was taken over by studio people who didn’t like the film he was making and ended up a crippled box office failure; Shout Factory has now released a “director’s cut”, more or less restored to Barker’s original intentions, which goes some way – though not all the way – towards making it an interesting horror fantasy.
The range of my recent viewing covers classic Italian and Eastern European films by Elio Petri and Karel Zeman as well as a pair of 1970s sci-fi/fantasy productions from the BBC, newly released on disk by the BFI.