Reading great critics of the past – Agee, Farber, Kauffmann – sheds interesting light on the ways our perception of film history has been formed.
When approaching 3 Films by Roberto Rossellini Starring Ingrid Bergman, Criterion’s new 5-disk DVD edition of the first three collaborations between the Italian filmmaker and the Hollywood star, it’s difficult not to feel a certain degree of trepidation. These three films, critical and commercial failures at the time of release, now stand as something like […]
Rodney Ascher’s Room 237 provides free rein to five obsessive fans who air their personal interpretations of Stanley Kubrick’s The Shining (1980). While other people’s obsessions can be fascinating, and conspiracy theories often provide narratives more satisfying than prosaic reality, sometimes, when overexposed, they can become exhausting and irritating. I approached Ascher’s film with a […]
Kier-La Janisse was in town over the weekend to launch her book House of Psychotic Women at the Cinematheque. To highlight the event, she chose to present a screening of David Cronenberg’s The Brood (1979), one of the key films in the book. While the print, which Dave Barber obtained from the national archive, had […]
Kier-la Janisse has had a varied and colourful career as a film and music programmer in various places, including Vancouver, Austin TX, Winnipeg and Montreal; she initiated and ran a festival of horror and fantasy films in Vancouver called CineMuerte and has connections with Montreal’s Fantasia Film Festival. Her first book, a slim, attractively designed […]
In light of my defense of Paul W.S. Anderson a couple of weeks ago (in the context of my disappointment with Resident Evil: Retribution), I was interested to come across Armond White’s joint review of Retribution and Paul Thomas Anderson’s much-lauded The Master. White is one of the most interesting critics in the U.S. today, […]