Criterion’s Blu-ray edition of Marcel Pagnol’s Marseilles Trilogy is a revelation, a vibrant, humanistic display of the dramatic possibilities of sound cinema.
Marcel Pagnol’s Marseilles Trilogy (1931-36): Criterion Blu-ray review
Tag: French Film
Year-end ruminations: 2016
2016 was an impressive year for movies on disk, with a wide variety of new and classic releases, prestige productions and exploitation, and some interesting rediscoveries … too many to pick just a handful of “bests”.
The subjectivity of watching: Bertrand Tavernier’s Death Watch (1980)
Sometimes sharing a favourite movie doesn’t produce the reaction we expect; it can be puzzling, even a little painful to discover that a friend doesn’t always like the same things we do.
Discovery and loss: Pierre Etaix 1928-2016
The French comic filmmaker Pierre Etaix, whose work spanned the decade of the ’60s only to vanish for 40 years before being rediscovered and restored in 2010, has died at the age of 87.
Criterion Blu-ray review: Jean Renoir’s La Chienne (1931)
Criterion’s release of a key but little-known feature by Jean Renoir, the conceptually and stylistically sophisticated La Chienne, is essential viewing.
Recent viewing: April & May 2016
Another eclectic selection from my recent viewing, from an old fondly remembered BBC sci-fi series to an unsettling French psychological thriller, from a nasty John Frankenheimer thriller to a pair of atypical Rossellini features striving to break out of the confines of neorealism.
Year End 2015
Although I saw fewer movies in theatres than ever, this year offered a rich array of films on disk, belying continuing prophecies of the medium’s demise in the face of on-line streaming.
Julien Duvivier in the Thirties: Eclipse 44
Criterion’s latest Eclipse set showcases a neglected master of pre-New Wave French film, Julien Duvivier; the four films here are stylistically adventurous and have great emotional depth.
An evening of Guy de Maupassant on film
The 19th Century French writer Guy de Maupassant had a spare style and an acute understanding of social class and psychology, both characteristics which lend themselves well to cinematic adaptation. Criterion’s Blu-ray edition of Jean Renoir’s A Day in the Country and the older Montparnasse DVD edition of Robert Wise’s Mademoiselle Fifi represent the best of de Maupassant on film.
The political cinema of Costa-Gavras
Criterion has released two excellent Blu-ray editions of Costa-Gavras’ finest films: The Confession and State of Siege examine dramatically political repression and violence on both the Left and Right.
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