My friend Howard and I get together fairly regularly for an evening of conversation and movie viewing. The conversation often revolves around what he goes through teaching film courses to first-year university students … something I’m glad not to be involved with! The viewing more often than not focuses on older movies (we’re both pretty […]
Falling behind again! Things have been hectic lately – working on a documentary which has turned out to be bigger than expected and is now way overdue, plus starting a new project with a tight deadline, I haven’t had a lot of time to write down notes on what I’ve been watching the past couple […]
The late ’50s saw the biggest technology-based shift in movies since the coming of sound (the next big shift would be the arrival of digital technology several decades later). New highly portable equipment not only altered the way movies were made, it also altered creative choices and even content. New lightweight cameras and sync sound […]
Continuing my survey of one month’s movie viewing: Red Dawn (Dan Bradley, 2012): As dumb as John Milius’ original about small town American kids fighting against vicious invaders. Milius had Nicaragua(!) taking over the States; here it’s North Korea backed by, for some reason, the Russians (aware of how much U.S. debt is held by […]
I usually only have time to write once a week for this blog, and my occasional obligations to Blogcritics (i.e. the free review copies I get through them) have pushed me into the habit of doing reviews more often than more general posts about broader topics (which was what I actually anticipated when I started […]
I recently dipped into the French New Wave to watch a few films I’d previously missed – Claude Chabrol’s first two features, Le Beau Serge (1958) and Les Cousins (1959), and Agnes Varda’s Le Bonheur (1965).
Jean-Luc Godard wasn’t the first of the Cahiers du Cinema critics to start making movies, but his debut feature, A bout de souffle (Breathless, 1960), was the one which most clearly announced the arrival of the nouvelle vague. Where Francois Truffaut, Claude Chabrol, Louis Malle and others were stretching the possibilities of conventional narrative form, […]
Watching Betrand Tavernier’s sombre, moving Death Watch (1980) recently, I started wondering about mainstream filmmakers who tried their hand just once at science fiction. While Tavernier’s film fits in with the humanistic themes which run through his work, was there a similar thematic consistency in other directors’ forays into the genre? Shot mostly on bleak […]
I went to see the new Studio Ghibli release a couple of weeks ago. The Secret World of Arrietty (2010) is based on the Borrowers books by Mary Norton, mostly written in the ’50s. These stories of little people who live in the walls and under the floorboards of houses, “borrowing” unwanted scraps from the […]
Not surprisingly, given the amount of time I spend watching movies at home, I came across quite a few worthwhile titles during the year. I’ve already written about many of these in this blog, so will just offer capsule comments here (in no particular order) about ones that I particularly recommend. Dramatic features The World, […]