Arrow Video’s commitment to genre releases is on full display in a selection of recently viewed Blu-rays, each featuring informative supplements: the Japanese juvenile delinquent series Stray Cat Rock, Don Coscarelli’s epic Phantasm series, a pair of Gothic gialli from Emilio P. Miraglia, and Spanish director J.P. Simon’s adaptation of Brit author Shaun Hutson’s gross-out novel Slugs.
Two recent Japanese animated features – Yasuhiro Yoshiura’s Patema Inverted and Keiichi Hara’s Miss Hokusai – and Caltiki: The Immortal Monster, an early low-budget horror from Mario Bava, illustrate the range of styles and content available to fantastic film.
Juzo Itami’s international hit Tampopo (1985), a prodigiously inventive comedy about our relationship with food, gets an excellent release on Blu-ray from Criterion.
Criterion adds another landmark of Japanese popular cinema to their collection with an impressive Blu-ray release of the complete Lone Wolf and Cub series, a dark, poetic, bloodily violent adaptation of Kazuo Koike’s epic manga.
2016 was an impressive year for movies on disk, with a wide variety of new and classic releases, prestige productions and exploitation, and some interesting rediscoveries … too many to pick just a handful of “bests”.
Criterion’s new Blu-ray of Kenji Mizoguchi’s The Story of the Last Chrysanthemum (1939) makes available one of the earliest masterpieces by this great Japanese director; although the film shows its age, the director’s remarkable technique of long takes and composition in depth is impressive.
Kids and monsters, kids in a post-apocalyptic wasteland, and a couple of cousins from Israel who tried to take over Hollywood in the ’80s: all help to take one’s mind off the tedious last days of winter.
Arrow releases yet another impressive limited edition box-set with their dual-format edition of Kinji Fukasaku’s Battles Without Honor and Humanity, a key work in the transition of Japanese cinema from the “classical” post-war period to a more transgressive critique of the nation’s history and culture.
Studio Ghibli’s Isao Takahata creates a masterpiece in his final feature, The Tale of the Princess Kaguya, while Hiroyuki Okiura seems a worthy successor to the studio’s achievements with A Letter to Momo; less successful is Ari Folman’s live action/animation hybrid Robin Wright at The Congress.