Mikhail Kalatozov’s I Am Cuba (1964) uses the striking cinematography of Sergei Urusevsky to create a fever dream version of the Cuban Revolution, a series of archetypal moments of oppression and resistance leading to an ecstatic explosion of justified communal violence. Filled with heightened emotions rendered in breathtaking images and seemingly impossible camera movements, the film looks gorgeous in a 4K restoration on Criterion’s Blu-ray.
Growing up in England during the late 1950s and early ’60s, my experience of British film was a mix of now-forgotten B-movies, coarse comedies (I loved the Carry On films, which seem all but unwatchable now), and occasional big productions (Zulu remains a vivid childhood memory). Hammer horror was tantalizingly out of reach, restricted to […]
In the past couple of years Olive Films has released an eclectic variety of movies on DVD and Blu-ray, from noir to comedies, exploitation to obscure indie dramas – recent releases include Bresson’s The Devil, Probably alongside Aldrich’s Twilight’s Last Gleaming! But for me, one of their most interesting releases is a fine Blu-ray edition […]
I sometimes feel kind of oppressed by the Internet – too much stuff to look at and read, and not enough time. I know I miss a lot, but you can’t spend all your time surfing. So it’s always a pleasure when someone you do check in with occasionally points you towards something of real […]
At the height of the Cold War official propaganda was aimed at lulling the population into accepting the idea of nuclear war as somehow normal and “manageable”, as depicted in the Central Office of Information short The Hole in the Ground (1962) which shows no-nonsense bureaucrats getting on with the job of “maintaining order” during an attack on Britain.