Criterion’s new Blu-ray of Michael Radford’s 1984 (1984) offers an impressive 4K restoration of this grim and gritty dystopian fantasy faithfully adapted from George Orwell’s novel.
Michael Radford’s adaptation of George Orwell’s 1984 (1984)
Tag: Science Fiction
Recent miscellaneous viewing, part three
Yet more recent random viewing: Joseph L. Mankiewicz’s movie-biz tragedy The Barefoot Contessa (1954); Lucio Fulci’s first and (almost) last gialli, One on Top of the Other aka Perversion Story (1969) anf The New York Ripper (1982); Ivan Nagy’s oddly poetic serial killer movie Skinner (1993); and some cheap bargains from the local drugstore.
Recent miscellaneous viewing
A random selection of recent viewing, from Nazi propaganda to British Angry Young Men, from classic sci-fi to the 1960s revival of a French criminal mastermind as slapstick pastiche.
Byron Haskin’s The Power (1968)
Produced by George Pal and directed by Byron Haskin, The Power (1968) is a low-key sci-fi thriller with a strong cast and a no-nonsense style, which was barely noticed when it was released in the same year as 2001: A Space Odyssey and Planet of the Apes.
Peter Fonda’s Idaho Transfer (1973)
The late Peter Fonda briefly interrupted his acting career in the 1970s by directing three features, only the first of which is recognized now as a classic: The Hired Hand (1971). But the second, a no-budget science fiction movie called Idaho Transfer (1973), deserves to be rediscovered both for its sparely poetic treatment of time travel and its prescient vision of imminent ecological catastrophe. Unfortunately, it can now only be viewed as a lo-res, open-matte YouTube video.
Trashy Brit horrors
Recent Blu-rays from Indicator serve up a feast of British exploitation horror with Bloody Terror, a lavish box set of five features (1976-87) by Norman J. Warren. plus Richard Marquand’s first feature, The Legacy (1978).
Intimidated by Art
Two modest documentaries delve into the compulsion to create and the fraught relationship between creator and creation.
Another eclectic week
This week, I revisited several classic horror and sci-fi movies, plus a few more recent exploitation movies.
Guest Post: Considering Anthony Asquith
Guest contributor Howard Curle examines The Net (1953), a little-known film by Anthony Asquith which combines elements of science fiction and Cold War thriller with a drama about a troubled marriage. Howard finds stylistic links which hearken back to Asquith’s brilliant silent films from the late ’20s.
Binging
Binge viewing can for some reason make movies you don’t really like individually seem entertaining when watched back-to-back … case in point: the Transformers series.
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