2016 was an impressive year for movies on disk, with a wide variety of new and classic releases, prestige productions and exploitation, and some interesting rediscoveries … too many to pick just a handful of “bests”.
At my annual New Year’s ritual of dinner and movies at my friend Steve’s, I finally got to sample the home 3D viewing experience; we sampled a number of movies, old and new, cheap and expensive, but while the experience had some interesting aspects, I can’t imagine wanting to watch in 3D too often.
Artsploitation Films has released George Moises’s Counter Clockwise (2016), a new low-budget addition to the time travel paradox sub-genre; and several notable cinema personalities have recently departed.
Sometimes sharing a favourite movie doesn’t produce the reaction we expect; it can be puzzling, even a little painful to discover that a friend doesn’t always like the same things we do.
Despite truly dismal digital projection a recent big-screen viewing of The Birds reconfirms its status as one of Hitchcock’s finest films, and one of the best disaster films ever made.
Revisiting old favourites like the original Star Trek series and familiar genres from samurai sword fights to supernatural monsters is like eating comfort food, triggering familiar emotions; even Satanic horrors can be paradoxically soothing.
I’ve recently been dipping into the ’60s and ’70s with two Criterion Blu-rays of major works by Orson Welles, a couple of Robert Altman’s signature titles, and a new J.G. Ballard adaptation from Ben Wheatley.
Nazis and vampires have been popular subjects for exploitation for decades in a range of genres from the Gothic to epic SF and paranoid b-movie thriller.
Recent viewing ranges from smart B-movie horror to magic realist-inflected neo-realism, with excellent disks from Blue Underground, Shout! Factory and Arrow Video.