Johnnie To’s The Heroic Trio/Executioners (1993): Criterion Blu-ray review

Flights of martial arts fantasy in Johnnie To & Ching Siu-Tung's Executioners (1993)

Before attaining international critical success with a series of cool, formally precise thrillers, Johnnie To made a pair of wildly inventive superhero movies fraught with anxiety about the approaching hand over of Hong Kong to Chinese control in 1997. The Heroic Trio and Executioners (both 1993) mix fantasy, science fiction, traditional martial arts and modern action into a potent dystopian stew centred on three of Hong Kong’s biggest female stars – Anita Mui, Michelle Yeoh and Maggie Cheung. Criterion’s three-disk dual-formal edition showcases stunning restorations by L’Immagine Ritrovata.

Fall 2023 viewing: Arrow Video

Cloistermouth (Nicholas Hoye) panics when he realizes his privileged position is threatened in John Mackenzie's Unman, Wittering and Zigo (1971)

A selection of new and slightly older Arrow releases range from ’70s Japanese gangster movies by Kinji Fukasaku to David Cronenberg’s icy adaptation of J.G. Ballard’s Crash (1996), from an early feature by John Mackenzie combining a satire of class with psychological suspense to a sampler of sci-fi and horror movies produced in the ’80s by Charles Band’s Empire International Pictures.

Two Godzilla novellas by Shigeru Kayama

A star is born: Big G, woken by an A-bomb test, is very angry in Ishiro Honda's Gojira (1954)

The publication of a pair of novellas aimed at young adults, first published in 1955 and now translated for the first time into English, adds an interesting footnote to the history of Godzilla and restores writer Shigeru Kayama to his key place as the creator of the original story which was adapted by Ishiro Honda and Takeo Murata into the classic Gojira (1954).

Fall 2023 viewing, part two

Amnesiac Johnny McBride (Anthony Quinn) investigates his own past in Victor Saville’s The Long Wait (1954)

This week marks the thirteenth anniversary of the blog and there’s still no clear pattern to what I watch and write about! The first post went up on October 22, 2010. Hard to believe it’s been going this long, with almost 900 posts and over 3200 reviews so far. I don’t think I’ve ever stuck with anything this faithfully in my entire life! Thanks for reading!

Cheap sci-fi and hardboiled noir in 3D

Members of the gang come down hard on Mike Hammer (Biff Elliot) and his secretary Velda (Margaret Sheridan) in Harry Essex's I, the Jury (1953)

A 3D restoration of Phil Tucker’s ultra-cheap Robot Monster (1953) doesn’t really help this oddly endearing slice of poverty row sci-fi, but Classicflix’s 4K restoration of Harry Essex’s adaptation of Mickey Spillane’s I, the Jury (1953) is a revelation of what a great cinematographer could accomplish with first-wave 3D technology; Spillane’s brutal noir was shot by John Alton, a master of light and shadow, and the sense of space and imagery which plays on multiple planes in almost shot makes this one of the most impressive looking 3D movies of its time.

Recent fantasy and horror on disk

The arrival of wandering friar Fray Angel (Jorge Rivero) triggers violence and madness in Gonzalo Suárez’s Beatriz (1976)

A couple of new releases and a pair of slightly older disks offer a range of fantasy and horror from Julian Duvivier’s made-in-Hollywood anthology Flesh and Fantasy (1943) to three movies from Spain in the early ’70s in Vinegar Syndrome’s Villages of the Damned box set, from the inventive low-budget sci-fi of Yedidya Gorsetman’s Empathy, Inc. (2018) to Ben Wheatley’s folk-horror-tinged pandemic movie In the Earth (2021),

The Exotic Ones: exploitation and religion from the Ormond family

The film business being what it is, it’s not surprising that there are many odd corners still waiting to be explored – one of the oddest being the Ormond family, dad Ron, mom June and son Tim. After a successful career in vaudeville, June and Ron turned to independent production in the late ’40s with a string of poverty row westerns starring Lash LaRue, followed by a wide range of exploitation movies for the drive-in circuit – jungle adventure, hicksploitation featuring bootlegging, stock car racing, country music, spiced with sex and violence. Then in the late ’60s, they found God and made a series of evangelist movies, using all their exploitation skills to warn churchgoers about the evils of Communism and the inevitability of Hell. All of this is gathered together in Indicator’s box set From Hollywood to Heaven: The Lost and Saved Films of the Ormond Family, compiled in collaboration with filmmaker Nicolas Winding Refn and biographer Jimmy McDonough.

The amateur passion of Michael J. Murphy

Director Alistair (Patrick Oliver) assumes the identity of the killer in his own movie in Michael J. Murphy's Bloodstream (1985)

Although I’ve so far only watched four of the ten disks in Indicators monumental Magic, Myth & Mutilation: The Micro-Budget Cinema of Michael J. Murphy 1967-2015, it’s time to say a few words about this remarkable English outsider artist whose ambition consistently outpaced limited resources; the set is an amazing act of recovery and preservation of a body of work which has survived only in compromised form, covering multiple genres and displaying the development of a genuine filmmaking talent. The most impressive release yet from one of the world’s finest companies.

Blasts from the past

Rhyming Pairs

Stanley Kubrick 5B: Science Fiction – A Clockwork Orange

Abbas Kiarostami’s The Koker Trilogy (1987-94):
Criterion Blu-ray review

Genre Viewing 2

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